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Established in 1998, the Miami International Piano Festival has achieved international recognition with participants and journalists from all over the world coming to the Lincoln Theater in Miami Beach and Fort Lauderdale's Broward Center for the Performing Arts to experience one of the most compelling keyboard events in the world. As important cultural destinations, these cities join the ranks of other metropolitan art centers throughout the world with similar performance venues. Festival participants typically get a tremendous boost to their careers, affirming the discerning choices of the Festival’s selection committee. In an effort to continue furthering the careers of its outstanding artists, the Festival’s presenting organization, Patrons of Exceptional Artists, has embarked on several recording projects that will leave a lasting legacy for piano lovers and inspire new generations. Click here to view all of the Festival CDs and DVDs currently available on the VAI label. Each of the Festival's CDs and DVDs has received excellent reviews - from the earliest recordings to the most recent. The Italian virtuosi Francesco Libetta and Pietro De Maria have each gained tremendous exposure through the recordings and Libetta, who was first discovered by filmmaker Bruno Monsaingeon at the Festival, was featured in the documentary ”The Pianist of the Impossible” a European Gold Medal award winning film. The release of American pianist Adam Neiman’s live performance on a multi-pianist compilation, was singled out by Classics.com as “…fluent, technically rock-solid, and musically traversal of the sprawling Rachmaninoff First Sonata crowns Disc 1...the performance really moves.” In 2008 the Festival began what it hopes will be a series single-composer recordings by pianists who are considered masters of interpretation. Through the release of these recordings, the Miami International Piano Festival hopes to create the definitive library that will serve as the standard reference for generations to come. Last year’s recording by Konstantin Lifschitz of Bach’s entire Well-Tempered Clavier is now receiving outstanding international critical acclaim. A recent review in the Philadelphia Inquirer says, “ The Lifschitz disc isn't just a prize, it's a bargain: the entire Well-Tempered Clavier is on a single DVD - an extremely watchable one, thanks partly to interesting camera work in an inviting stage setting (at the Miami International Piano Festival) with atmospheric lighting and large potted plants. That wouldn't count for much were Lifschitz not so completely into his Bach zone. He is magnetic, his middle-weight sonority and near-infallible technique a clear prism for his personal and often profound relationship with this music. Though preludes are more often revelatory than the fugues, there's a consistency to his invention and polish that defies the live-concert circumstances. Warning: He mixes the two books of the Well-Tempered Clavier, juxtaposing how Bach explored a given key signature at different points in his life. In 2010 we are continuing the tradition of devoting an entire day to a single artist in our Master Series and we have challenged Ilya Itin to give 2 performances on March 7 – an afternoon devoted to Prokofiev and an evening to Rachmaninoff's 24 Preludes! Up until the inception of the “Prodigies & Masters of Tomorrow”“Prodigies” program, the world had not seen a musical event that focuses on the development of emerging prodigies. Through the release of live performances and projects, viewers are offered a rare opportunity to not just hear great concerts, but marvel at the high level of musical understanding that these prodigies demonstrate.
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