Press Releases & Reviews 1999

Sun Sentinel

03/25/1999

by Tim Smith
Music Writer

Discovering new Talents at the Keyboard

Its not called "Miami Festival of Discovery" for nothing. This second annual venture is bringing significant keyboard talents to South Florida audiences this week; if you're at all interested in the piano and what an imaginative musician can do with it, you won't want to miss the remaining concerts tonight and Friday.

Tuesday's recital at the Lincoln Theater in Miami Beach was, indeed, a discovery. Piotr Anderszewski, who is just getting out of his 20s, offered an artistically mature performance, looking for colors and inner details of Bach's counterpoint, tapping emotions and poetic musing in evocative works by Grieg and Szymanowski.

In an unusual and clever move, Anderszewski framed his program with Bach. He opened with the B minor Partita, also known as Overture in the French Style, and closed with the French Suite No. 5 in G major. The specifically French musical characteristics in this works tend to be more interesting to scholars than ordinary listeners these days, but the charms of both scores are impossible to miss - at least when played as engagingly as they were here.

Rather than try to approximate the leaner, crisper sound of a harpsichord, Anderszewski reveled in the full range of dynamics provided by the modern grand piano. His playing was alive with contrasts and nuances; no phrase was allowed to pass uneventfully mechanically. From delicate filigree work to starling torrents, this was vital, visceral Bach. The pianist's exquisite shading of Sarabande movements yielded particular pleasure.

Exquisite is a word that also came to mind as Anderszewski explored to pictoresque world of Grieg's Lyric Pieces. The folk-dance items had plenty of bite; the Notturno became a study in pastels and poetry; the opening Arietta and its watzing echo at the end were carved with the subtlety and charm of a Renoir.

Prismatic pianism continued in Scheherazade from Szymanowski's Masques, which gave Anderszewski ample opportunity to combine sterling technique with vibrant expression.

The festival's last two recitals bring bach remarkable "discoveries" from last year's inaugural event - Boris Berezovsky tonight, Konstantin Lifschitz on Friday.

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